Anti-Object: The Dissolution and Disintegration of Architecture
E1182434
UNEXPLORED
"Anti-Object: The Dissolution and Disintegration of Architecture" is a theoretical work by Japanese architect Kengo Kuma that argues for a subtle, dematerialized, and context-responsive approach to architecture that dissolves the boundary between building and environment.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Anti-Object: The Dissolution and Disintegration of Architecture canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T15919084 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Anti-Object: The Dissolution and Disintegration of Architecture Context triple: [Kengo Kuma, hasWritten, Anti-Object: The Dissolution and Disintegration of Architecture]
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A.
The Language of Post-Modern Architecture
The Language of Post-Modern Architecture is a seminal architectural theory book by Charles Jencks that defined and popularized the concept of postmodern architecture in the late 20th century.
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B.
Complexity and Contradiction in Architecture
Complexity and Contradiction in Architecture is a seminal 1966 book by architect Robert Venturi that challenged modernist simplicity and helped lay the theoretical foundations of postmodern architecture.
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C.
The Charged Void: Architecture
The Charged Void: Architecture is a major collected work that documents and reflects on the architectural projects, ideas, and design philosophy of British architects Alison and Peter Smithson.
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D.
The Formal Basis of Modern Architecture
The Formal Basis of Modern Architecture is a seminal architectural theory text by Peter Eisenman that rigorously analyzes form and structure in modernist design through abstract, diagrammatic methods.
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E.
The New Paradigm in Architecture
The New Paradigm in Architecture is a seminal book by architectural theorist Charles Jencks that analyzes the shift from modernism to postmodern and complex, systems-based approaches in late 20th-century architecture.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Anti-Object: The Dissolution and Disintegration of Architecture Target entity description: "Anti-Object: The Dissolution and Disintegration of Architecture" is a theoretical work by Japanese architect Kengo Kuma that argues for a subtle, dematerialized, and context-responsive approach to architecture that dissolves the boundary between building and environment.
-
A.
The Language of Post-Modern Architecture
The Language of Post-Modern Architecture is a seminal architectural theory book by Charles Jencks that defined and popularized the concept of postmodern architecture in the late 20th century.
-
B.
Complexity and Contradiction in Architecture
Complexity and Contradiction in Architecture is a seminal 1966 book by architect Robert Venturi that challenged modernist simplicity and helped lay the theoretical foundations of postmodern architecture.
-
C.
The Charged Void: Architecture
The Charged Void: Architecture is a major collected work that documents and reflects on the architectural projects, ideas, and design philosophy of British architects Alison and Peter Smithson.
-
D.
The Formal Basis of Modern Architecture
The Formal Basis of Modern Architecture is a seminal architectural theory text by Peter Eisenman that rigorously analyzes form and structure in modernist design through abstract, diagrammatic methods.
-
E.
The New Paradigm in Architecture
The New Paradigm in Architecture is a seminal book by architectural theorist Charles Jencks that analyzes the shift from modernism to postmodern and complex, systems-based approaches in late 20th-century architecture.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.