The Assumption of the Virgin (for the church of Santa Maria della Fava)

Target entity: The Assumption of the Virgin (for the church of Santa Maria della Fava)
Context triple: [Giovanni Battista Piazzetta, notableWork, The Assumption of the Virgin (for the church of Santa Maria della Fava)]

• A. The Assumption of the Virgin (Santa Maria in Trastevere)
  The Assumption of the Virgin (Santa Maria in Trastevere) is a celebrated Baroque altarpiece by Domenichino depicting the Virgin Mary’s ascent into heaven, located in Rome’s Basilica of Santa Maria in Trastevere.
• B. Assumption of the Virgin (Titian)
  Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
• C. Assumption of the Virgin (dome fresco)
  Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
• D. Assumption of the Virgin (Parma Cathedral)
  Assumption of the Virgin (Parma Cathedral) is a monumental early 16th-century fresco by Correggio that dramatically decorates the cathedral’s dome with a swirling, illusionistic vision of the Virgin Mary’s ascent into heaven.
• E. Assumption of the Virgin (Cerasi Chapel)
  Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: The Assumption of the Virgin (for the church of Santa Maria della Fava)
Target entity description: The Assumption of the Virgin (for the church of Santa Maria della Fava) is a Baroque religious painting by Venetian artist Giovanni Battista Piazzetta depicting the Virgin Mary’s ascent into heaven in a dramatic, light-filled composition.

• A. The Assumption of the Virgin (Santa Maria in Trastevere)
  The Assumption of the Virgin (Santa Maria in Trastevere) is a celebrated Baroque altarpiece by Domenichino depicting the Virgin Mary’s ascent into heaven, located in Rome’s Basilica of Santa Maria in Trastevere.
• B. Assumption of the Virgin (Titian)
  Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
• C. Assumption of the Virgin (dome fresco)
  Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
• D. Assumption of the Virgin (Parma Cathedral)
  Assumption of the Virgin (Parma Cathedral) is a monumental early 16th-century fresco by Correggio that dramatically decorates the cathedral’s dome with a swirling, illusionistic vision of the Virgin Mary’s ascent into heaven.
• E. Assumption of the Virgin (Cerasi Chapel)
  Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
• F. None of above. chosen