The Double Screen: Medium and Representation in Chinese Painting
E1170790
UNEXPLORED
*The Double Screen: Medium and Representation in Chinese Painting* is a scholarly study by art historian Wu Hong that examines how material formats and pictorial strategies shape meaning and visual experience in traditional Chinese painting.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Double Screen: Medium and Representation in Chinese Painting canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T15682380 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Double Screen: Medium and Representation in Chinese Painting Context triple: [Wu Hong, notableWork, The Double Screen: Medium and Representation in Chinese Painting]
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A.
The Triumph of Painting
The Triumph of Painting is a landmark contemporary art exhibition that helped revive and spotlight painting in the early 21st-century art scene.
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B.
Pictures of Romance: Form Against Context in Painting and Literature
Pictures of Romance: Form Against Context in Painting and Literature is a scholarly study by Wendy Steiner that examines how romantic narratives are shaped and complicated by the interplay between visual form and literary context.
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C.
China Illustrata
China Illustrata is a 17th-century work by Jesuit scholar Athanasius Kircher that compiles and interprets contemporary European knowledge and reports about China’s geography, culture, history, and natural wonders.
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D.
The Meaning of Art
The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
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E.
The Origin of Painting
The Origin of Painting is a neoclassical history painting by Jean-Baptiste Regnault that depicts the legendary invention of painting through the act of tracing a lover’s shadow.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Double Screen: Medium and Representation in Chinese Painting Target entity description: *The Double Screen: Medium and Representation in Chinese Painting* is a scholarly study by art historian Wu Hong that examines how material formats and pictorial strategies shape meaning and visual experience in traditional Chinese painting.
-
A.
The Triumph of Painting
The Triumph of Painting is a landmark contemporary art exhibition that helped revive and spotlight painting in the early 21st-century art scene.
-
B.
Pictures of Romance: Form Against Context in Painting and Literature
Pictures of Romance: Form Against Context in Painting and Literature is a scholarly study by Wendy Steiner that examines how romantic narratives are shaped and complicated by the interplay between visual form and literary context.
-
C.
China Illustrata
China Illustrata is a 17th-century work by Jesuit scholar Athanasius Kircher that compiles and interprets contemporary European knowledge and reports about China’s geography, culture, history, and natural wonders.
-
D.
The Meaning of Art
The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
-
E.
The Origin of Painting
The Origin of Painting is a neoclassical history painting by Jean-Baptiste Regnault that depicts the legendary invention of painting through the act of tracing a lover’s shadow.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.