Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973)
E1130268
UNEXPLORED
The Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973) was a landmark exhibition that significantly shaped modern understanding and appreciation of Duchamp’s avant-garde work and cemented the museum’s reputation as a major center for his art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T14979325 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973) Context triple: [Anne d’Harnoncourt, notableWork, Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973)]
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A.
Portraits of Marcel Duchamp
Portraits of Marcel Duchamp is a series of photographic studies by Man Ray that capture and reinterpret the avant-garde artist Marcel Duchamp across different moments and personas in his life.
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B.
Institute of Contemporary Art, Philadelphia
The Institute of Contemporary Art in Philadelphia is a renowned museum and exhibition space dedicated to innovative and experimental contemporary art, known for presenting cutting-edge work by emerging and established artists.
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C.
Duchamp estate
The Duchamp estate is the legal and administrative body responsible for managing the artworks, intellectual property, and legacy of the pioneering Dada and conceptual artist Marcel Duchamp.
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D.
New Documents (Museum of Modern Art, 1967)
New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
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E.
The Perfect Moment exhibition
The Perfect Moment exhibition was a landmark and controversial retrospective of photographer Robert Mapplethorpe’s work that became central to debates over art, censorship, and public funding in the late 1980s and early 1990s.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973) Target entity description: The Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973) was a landmark exhibition that significantly shaped modern understanding and appreciation of Duchamp’s avant-garde work and cemented the museum’s reputation as a major center for his art.
-
A.
Portraits of Marcel Duchamp
Portraits of Marcel Duchamp is a series of photographic studies by Man Ray that capture and reinterpret the avant-garde artist Marcel Duchamp across different moments and personas in his life.
-
B.
Institute of Contemporary Art, Philadelphia
The Institute of Contemporary Art in Philadelphia is a renowned museum and exhibition space dedicated to innovative and experimental contemporary art, known for presenting cutting-edge work by emerging and established artists.
-
C.
Duchamp estate
The Duchamp estate is the legal and administrative body responsible for managing the artworks, intellectual property, and legacy of the pioneering Dada and conceptual artist Marcel Duchamp.
-
D.
New Documents (Museum of Modern Art, 1967)
New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
-
E.
The Perfect Moment exhibition
The Perfect Moment exhibition was a landmark and controversial retrospective of photographer Robert Mapplethorpe’s work that became central to debates over art, censorship, and public funding in the late 1980s and early 1990s.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
Anne d’Harnoncourt
→
notableWork
→
Marcel Duchamp retrospective at the Philadelphia Museum of Art (1973)
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