You’re a Big Girl Now
E109679
"You’re a Big Girl Now" is a reflective, emotionally charged song by Bob Dylan, known for its raw portrayal of heartbreak and personal transformation.
All labels observed (2)
| Label | Occurrences |
|---|---|
| You’re a Big Girl Now canonical | 4 |
| You're a Big Girl Now | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T932224 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: You’re a Big Girl Now Context triple: [Blood on the Tracks, hasPart, You’re a Big Girl Now]
-
A.
A Girl Like Me
A Girl Like Me is Rihanna’s second studio album, featuring a blend of Caribbean-influenced pop and R&B that helped establish her as an international star.
-
B.
Good Girl Gone Bad
Good Girl Gone Bad is Rihanna's critically acclaimed 2007 pop and R&B album that marked her transition to a more edgy, mature image and sound.
-
C.
Our Very Own
"Our Very Own" is a 1950 American drama film starring Ann Blyth and Jane Wyatt that explores the emotional upheaval of a teenager who discovers she is adopted.
-
D.
On Our Own
On Our Own is a 1989 R&B/new jack swing single by Bobby Brown, best known as the theme song for the film "Ghostbusters II."
-
E.
Come and Get It
Come and Get It is a 1936 American drama film, co-directed by Howard Hawks and William Wyler, best known for featuring Walter Brennan in an Oscar-winning supporting performance.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: You’re a Big Girl Now Target entity description: "You’re a Big Girl Now" is a reflective, emotionally charged song by Bob Dylan, known for its raw portrayal of heartbreak and personal transformation.
-
A.
A Girl Like Me
A Girl Like Me is Rihanna’s second studio album, featuring a blend of Caribbean-influenced pop and R&B that helped establish her as an international star.
-
B.
Good Girl Gone Bad
Good Girl Gone Bad is Rihanna's critically acclaimed 2007 pop and R&B album that marked her transition to a more edgy, mature image and sound.
-
C.
Our Very Own
"Our Very Own" is a 1950 American drama film starring Ann Blyth and Jane Wyatt that explores the emotional upheaval of a teenager who discovers she is adopted.
-
D.
On Our Own
On Our Own is a 1989 R&B/new jack swing single by Bobby Brown, best known as the theme song for the film "Ghostbusters II."
-
E.
Come and Get It
Come and Get It is a 1936 American drama film, co-directed by Howard Hawks and William Wyler, best known for featuring Walter Brennan in an Oscar-winning supporting performance.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
musical work
ⓘ
song ⓘ |
| album | Blood on the Tracks ⓘ |
| associatedWithArtist | Bob Dylan ⓘ |
| composer | Bob Dylan ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Bob Dylan ⓘ |
| describedAs |
emotionally charged
ⓘ
raw portrayal of heartbreak ⓘ reflective ⓘ |
| genre |
folk rock
ⓘ
singer-songwriter ⓘ |
| hasCriticalReputation |
highly regarded
ⓘ
noted for emotional intensity ⓘ |
| hasInstrumentation |
acoustic guitar
ⓘ
bass ⓘ harmonica ⓘ organ ⓘ |
| hasTheme |
emotional pain
ⓘ
heartbreak ⓘ maturity ⓘ personal transformation ⓘ regret ⓘ romantic loss ⓘ |
| hasVersion |
Minneapolis album version
ⓘ
New York sessions version ⓘ |
| includedIn |
Biograph (compilation album)
ⓘ
Blood on the Tracks ⓘ
surface form:
Blood on the Tracks (1975 studio album)
The Bootleg Series Vol. 14: More Blood, More Tracks ⓘ The Bootleg Series ⓘ
surface form:
The Bootleg Series Vol. 1–3 (Rare & Unreleased) 1961–1991
|
| language | English ⓘ |
| lyricist | Bob Dylan ⓘ |
| narrativePerspective | first person ⓘ |
| notableLyric |
"I’m going out of my mind, oh, with a pain that stops and starts"
ⓘ
"Time is a jet plane, it moves too fast" ⓘ |
| partOfAlbum | Blood on the Tracks ⓘ |
| performer | Bob Dylan ⓘ |
| publisher | Columbia Records ⓘ |
| recordedBy | Bob Dylan ⓘ |
| recordedFor | Blood on the Tracks recording sessions ⓘ |
| recordLabel | Columbia Records ⓘ |
| releaseYear | 1975 ⓘ |
| trackPosition | 2 ⓘ |
| vocalStyle |
emotional
ⓘ
intimate ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: You’re a Big Girl Now Description of subject: "You’re a Big Girl Now" is a reflective, emotionally charged song by Bob Dylan, known for its raw portrayal of heartbreak and personal transformation.
Referenced by (5)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
You're a Big Girl Now