Energy/Experimentation: Black Artists and Abstraction, 1964–1980

Target entity: Energy/Experimentation: Black Artists and Abstraction, 1964–1980
Context triple: [Thelma Golden, curatedExhibition, Energy/Experimentation: Black Artists and Abstraction, 1964–1980]

• A. Women, the New York School, and Other True Abstractions
  Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
• B. "The American Action Painters"
  "The American Action Painters" is a landmark 1952 essay by art critic Harold Rosenberg that introduced and defined the concept of Action Painting within Abstract Expressionism.
• C. The Meaning of Art
  The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
• D. The Isms of Art
  The Isms of Art is a seminal avant-garde art book by El Lissitzky that surveys and visually interprets the major modern art movements of the early 20th century.
• E. Living Color: Painting, Writing, and the Bones of Seeing
  Living Color: Painting, Writing, and the Bones of Seeing is a reflective nonfiction book by Natalie Goldberg that explores the connections between visual art, writing, and perception through memoir, meditation, and creative practice.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Energy/Experimentation: Black Artists and Abstraction, 1964–1980
Target entity description: Energy/Experimentation: Black Artists and Abstraction, 1964–1980 is an art exhibition that highlights the innovative contributions of Black artists to abstract art during the civil rights and post–civil rights era.

• A. Women, the New York School, and Other True Abstractions
  Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
• B. "The American Action Painters"
  "The American Action Painters" is a landmark 1952 essay by art critic Harold Rosenberg that introduced and defined the concept of Action Painting within Abstract Expressionism.
• C. The Meaning of Art
  The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
• D. The Isms of Art
  The Isms of Art is a seminal avant-garde art book by El Lissitzky that surveys and visually interprets the major modern art movements of the early 20th century.
• E. Living Color: Painting, Writing, and the Bones of Seeing
  Living Color: Painting, Writing, and the Bones of Seeing is a reflective nonfiction book by Natalie Goldberg that explores the connections between visual art, writing, and perception through memoir, meditation, and creative practice.
• F. None of above. chosen