Baby Doll (film score)
E1070333
UNEXPLORED
Baby Doll (film score) is a jazz-inflected orchestral soundtrack composed by Kenyon Hopkins for Elia Kazan’s 1956 film "Baby Doll," noted for its sultry, atmospheric evocation of the American South.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Baby Doll (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T13934120 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Baby Doll (film score) Context triple: [Kenyon Hopkins, notableWork, Baby Doll (film score)]
-
A.
A Streetcar Named Desire (film score)
A Streetcar Named Desire (film score) is Alex North’s groundbreaking jazz-influenced orchestral soundtrack for the 1951 film adaptation of Tennessee Williams’ play, widely regarded as a landmark in modern film music.
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B.
The Black Dahlia (film score)
The Black Dahlia (film score) is a dark, jazz-inflected orchestral soundtrack by composer Mark Isham for Brian De Palma’s 2006 neo-noir crime film about the infamous 1947 murder case.
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C.
The Innocents (film score)
The Innocents (film score) is a haunting, atmospheric musical soundtrack composed by Georges Auric for the 1961 British psychological horror film "The Innocents."
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D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
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E.
The Dressmaker (film score)
The Dressmaker (film score) is a 2015 film soundtrack composed by David Hirschfelder that blends sweeping orchestral themes with quirky, dramatic motifs to complement the darkly comic tone of the Australian film.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Baby Doll (film score) Target entity description: Baby Doll (film score) is a jazz-inflected orchestral soundtrack composed by Kenyon Hopkins for Elia Kazan’s 1956 film "Baby Doll," noted for its sultry, atmospheric evocation of the American South.
-
A.
A Streetcar Named Desire (film score)
A Streetcar Named Desire (film score) is Alex North’s groundbreaking jazz-influenced orchestral soundtrack for the 1951 film adaptation of Tennessee Williams’ play, widely regarded as a landmark in modern film music.
-
B.
The Black Dahlia (film score)
The Black Dahlia (film score) is a dark, jazz-inflected orchestral soundtrack by composer Mark Isham for Brian De Palma’s 2006 neo-noir crime film about the infamous 1947 murder case.
-
C.
The Innocents (film score)
The Innocents (film score) is a haunting, atmospheric musical soundtrack composed by Georges Auric for the 1961 British psychological horror film "The Innocents."
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
The Dressmaker (film score)
The Dressmaker (film score) is a 2015 film soundtrack composed by David Hirschfelder that blends sweeping orchestral themes with quirky, dramatic motifs to complement the darkly comic tone of the Australian film.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.