Poème de l’extase, Op. 54
E1044555
Poème de l’extase, Op. 54 is a symphonic poem by Alexander Scriabin that exemplifies his late, highly chromatic and mystical orchestral style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Poème de l’extase, Op. 54 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T13513461 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Poème de l’extase, Op. 54 Context triple: [Alexander Scriabin, notableWork, Poème de l’extase, Op. 54]
-
A.
Turangalîla-Symphonie
Turangalîla-Symphonie is a large-scale, exuberant 20th-century orchestral work by Olivier Messiaen that combines lush harmonies, complex rhythms, and prominent use of the ondes Martenot to explore themes of love and transcendence.
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B.
La chanson d’Ève, Op. 95
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
-
C.
Lyric Suite
Lyric Suite is a four-movement orchestral work by Norwegian composer Edvard Grieg, adapted from his earlier piano pieces and celebrated for its lyrical Romantic style and vivid evocation of Norwegian folk character.
-
D.
Lyric Suite
Lyric Suite is a landmark 1920s string quartet by Alban Berg that blends twelve-tone techniques with intense late-Romantic expressiveness and a hidden programmatic love narrative.
-
E.
Verklärte Nacht
Verklärte Nacht is a late-Romantic string sextet (often performed in string orchestra version) by Arnold Schoenberg, renowned for its rich chromaticism and programmatic inspiration from Richard Dehmel’s poem of the same name.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Poème de l’extase, Op. 54 Target entity description: Poème de l’extase, Op. 54 is a symphonic poem by Alexander Scriabin that exemplifies his late, highly chromatic and mystical orchestral style.
-
A.
Turangalîla-Symphonie
Turangalîla-Symphonie is a large-scale, exuberant 20th-century orchestral work by Olivier Messiaen that combines lush harmonies, complex rhythms, and prominent use of the ondes Martenot to explore themes of love and transcendence.
-
B.
La chanson d’Ève, Op. 95
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
-
C.
Lyric Suite
Lyric Suite is a four-movement orchestral work by Norwegian composer Edvard Grieg, adapted from his earlier piano pieces and celebrated for its lyrical Romantic style and vivid evocation of Norwegian folk character.
-
D.
Lyric Suite
Lyric Suite is a landmark 1920s string quartet by Alban Berg that blends twelve-tone techniques with intense late-Romantic expressiveness and a hidden programmatic love narrative.
-
E.
Verklärte Nacht
Verklärte Nacht is a late-Romantic string sextet (often performed in string orchestra version) by Arnold Schoenberg, renowned for its rich chromaticism and programmatic inspiration from Richard Dehmel’s poem of the same name.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphonic poem ⓘ |
| approximateDuration | 20 minutes ⓘ |
| associatedMovement | Symbolism NERFINISHED ⓘ |
| associatedPhilosophy |
mysticism
ⓘ
theosophy ⓘ |
| catalogNumber | Op. 54 ⓘ |
| composer | Alexander Scriabin NERFINISHED ⓘ |
| countryOfOrigin | Russia ⓘ |
| dedication | to his second wife Tatiana Schloezer ⓘ |
| genre | symphonic poem ⓘ |
| hasInstrumentationFeature |
prominent organ part
ⓘ
prominent trumpet solos ⓘ |
| hasMood |
ecstatic
ⓘ
intense ⓘ rapturous ⓘ |
| influencedBy |
Scriabin’s personal mysticism
ⓘ
theosophical ideas ⓘ |
| key | no fixed key ⓘ |
| language | instrumental ⓘ |
| musicalStyle |
highly chromatic
ⓘ
mystical ⓘ |
| notableFeature | use of Scriabin’s mystic chord ⓘ |
| notableFor |
continuous thematic transformation
ⓘ
dense orchestral textures ⓘ extreme chromatic harmony ⓘ |
| orchestration |
expanded brass section
ⓘ
large orchestra ⓘ large percussion section ⓘ large woodwind section ⓘ organ ⓘ strings ⓘ |
| placeInOeuvre | late orchestral work of Scriabin ⓘ |
| premiereCity | New York City ⓘ |
| premiereConductor | Modest Altschuler NERFINISHED ⓘ |
| premiereCountry | United States NERFINISHED ⓘ |
| premiereOrchestra | Russian Symphony Society of New York NERFINISHED ⓘ |
| relatedWorkBySameComposer |
Le Divin Poème, Op. 43
NERFINISHED
ⓘ
Prométhée: Le Poème du feu, Op. 60 NERFINISHED ⓘ |
| structure | single continuous movement ⓘ |
| stylePeriod |
early modern
ⓘ
late Romantic ⓘ |
| theme |
creative will
ⓘ
ecstasy ⓘ mystical union ⓘ |
| titleLanguage | French ⓘ |
| translatedTitle | Poem of Ecstasy NERFINISHED ⓘ |
| workNumberInComposerOutput | 54 ⓘ |
| workOf | Alexander Scriabin NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Poème de l’extase, Op. 54 Description of subject: Poème de l’extase, Op. 54 is a symphonic poem by Alexander Scriabin that exemplifies his late, highly chromatic and mystical orchestral style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.