The High Priestess of Bach
E1015094
The High Priestess of Bach is the honorific nickname given to American pianist and harpsichordist Rosalyn Tureck, renowned for her pioneering, deeply intellectual interpretations of Johann Sebastian Bach’s keyboard works.
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf | honorific nickname ⓘ |
| appliedTo |
American harpsichordist
ⓘ
American pianist ⓘ |
| associatedInstrument |
harpsichord
ⓘ
piano ⓘ |
| associatedNationality | United States NERFINISHED ⓘ |
| associatedPerson | Rosalyn Tureck NERFINISHED ⓘ |
| associatedRepertoire | Bach keyboard music ⓘ |
| associatedWith | Johann Sebastian Bach NERFINISHED ⓘ |
| category |
artist honorific
ⓘ
musical nickname ⓘ |
| connotation | reverence for Bach performance ⓘ |
| denotes | preeminence in Bach performance ⓘ |
| describesReputationOf | Rosalyn Tureck as leading Bach interpreter NERFINISHED ⓘ |
| fieldOfRecognition |
classical music
ⓘ
keyboard performance ⓘ |
| hasGenderConnotation | female ⓘ |
| honors | pioneering Bach scholarship in performance ⓘ |
| implies | deeply intellectual approach to Bach ⓘ |
| language | English ⓘ |
| notableFor | interpretations of Bach’s keyboard works ⓘ |
| refersTo | Rosalyn Tureck NERFINISHED ⓘ |
| relatesTo |
Bach interpretation tradition
ⓘ
Bach performance practice ⓘ |
| titleComponent |
Bach
NERFINISHED
ⓘ
High Priestess NERFINISHED ⓘ |
| usedAs | epithet in classical music criticism ⓘ |
| usedBy |
classical music journalists
ⓘ
music critics ⓘ music historians ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.