Prometeo. Tragedia dell’ascolto
E1014039
"Prometeo. Tragedia dell’ascolto" is a late 20th-century experimental music-theatre work that explores spatialized sound, fragmented text, and the act of listening as its central dramatic focus.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Prometeo. Tragedia dell’ascolto canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T12991502 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Prometeo. Tragedia dell’ascolto Context triple: [Luigi Nono, notableWork, Prometeo. Tragedia dell’ascolto]
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A.
Prometheus Bound
Prometheus Bound is an ancient Greek tragedy traditionally attributed to Aeschylus that dramatizes the punishment of the Titan Prometheus for defying Zeus by giving fire and knowledge to humanity.
-
B.
Prometheus Unbound
Prometheus Unbound is a lyrical drama by Percy Bysshe Shelley that reimagines the Greek myth of Prometheus as a triumphant, idealistic vision of human liberation and moral progress.
-
C.
Einleitung in die griechische Tragödie
*Einleitung in die griechische Tragödie* is a scholarly work by classical philologist Ulrich von Wilamowitz-Moellendorff that offers a foundational analysis of the origins, structure, and cultural significance of ancient Greek tragedy.
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D.
L’Egisto
L’Egisto is a 17th-century Italian opera by Francesco Cavalli, known for its expressive early Baroque style and mythological subject matter.
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E.
Prometheus on His Crag
Prometheus on His Crag is a poem by Ted Hughes that forms part of his Moortown Diary sequence, reflecting his stark, myth-infused vision of nature and human experience.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Prometeo. Tragedia dell’ascolto Target entity description: "Prometeo. Tragedia dell’ascolto" is a late 20th-century experimental music-theatre work that explores spatialized sound, fragmented text, and the act of listening as its central dramatic focus.
-
A.
Prometheus Bound
Prometheus Bound is an ancient Greek tragedy traditionally attributed to Aeschylus that dramatizes the punishment of the Titan Prometheus for defying Zeus by giving fire and knowledge to humanity.
-
B.
Prometheus Unbound
Prometheus Unbound is a lyrical drama by Percy Bysshe Shelley that reimagines the Greek myth of Prometheus as a triumphant, idealistic vision of human liberation and moral progress.
-
C.
Einleitung in die griechische Tragödie
*Einleitung in die griechische Tragödie* is a scholarly work by classical philologist Ulrich von Wilamowitz-Moellendorff that offers a foundational analysis of the origins, structure, and cultural significance of ancient Greek tragedy.
-
D.
L’Egisto
L’Egisto is a 17th-century Italian opera by Francesco Cavalli, known for its expressive early Baroque style and mythological subject matter.
-
E.
Prometheus on His Crag
Prometheus on His Crag is a poem by Ted Hughes that forms part of his Moortown Diary sequence, reflecting his stark, myth-infused vision of nature and human experience.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
experimental music-theatre work
ⓘ
musical composition ⓘ opera ⓘ |
| associatedWith | Experimentalstudio der Heinrich-Strobel-Stiftung des SWR NERFINISHED ⓘ |
| basedOn | myth of Prometheus NERFINISHED ⓘ |
| centralTheme |
myth and modernity
ⓘ
the act of listening ⓘ tragedy of knowledge ⓘ |
| commissionedBy | La Fenice Theatre, Venice NERFINISHED ⓘ |
| composer | Luigi Nono NERFINISHED ⓘ |
| countryOfOrigin | Italy ⓘ |
| dedicatedTo | Massimo Cacciari NERFINISHED ⓘ |
| dramaticFocus | listening rather than visual action ⓘ |
| feature |
chorus
ⓘ
dispersed performers ⓘ electronic sound processing ⓘ fragmented text ⓘ live electronics ⓘ non-linear dramaturgy ⓘ orchestra divided into groups ⓘ sound projection ⓘ spatialized sound ⓘ speaker ⓘ vocal soloists ⓘ |
| genre |
avant-garde music
ⓘ
contemporary classical music ⓘ music theatre ⓘ |
| influencedBy | political and philosophical thought of the late 20th century ⓘ |
| language | Italian ⓘ |
| librettist | Massimo Cacciari NERFINISHED ⓘ |
| notableFor | radical redefinition of opera as an art of listening ⓘ |
| notableRecording | 1980s live recording conducted by Claudio Abbado ⓘ |
| performancePractice |
site-specific acoustic design
ⓘ
use of sound projectionist ⓘ |
| period | late 20th century ⓘ |
| premiereDate | 1984 ⓘ |
| premiereLocation | Venice NERFINISHED ⓘ |
| premiereVenue | Church of San Lorenzo, Venice NERFINISHED ⓘ |
| stagingConcept | “tragedy of listening” ⓘ |
| structure | prologue and several stations ⓘ |
| textSource |
Aeschylus
NERFINISHED
ⓘ
Benjamin NERFINISHED ⓘ Hölderlin NERFINISHED ⓘ Rilke NERFINISHED ⓘ |
| textTreatment |
fragmented
ⓘ
superimposed ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Prometeo. Tragedia dell’ascolto Description of subject: "Prometeo. Tragedia dell’ascolto" is a late 20th-century experimental music-theatre work that explores spatialized sound, fragmented text, and the act of listening as its central dramatic focus.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.