Prometeo. Tragedia dell’ascolto

E1014039

"Prometeo. Tragedia dell’ascolto" is a late 20th-century experimental music-theatre work that explores spatialized sound, fragmented text, and the act of listening as its central dramatic focus.

Try in SPARQL Jump to: Statements Referenced by

Statements (46)

Predicate Object
instanceOf experimental music-theatre work
musical composition
opera
associatedWith Experimentalstudio der Heinrich-Strobel-Stiftung des SWR NERFINISHED
basedOn myth of Prometheus NERFINISHED
centralTheme myth and modernity
the act of listening
tragedy of knowledge
commissionedBy La Fenice Theatre, Venice NERFINISHED
composer Luigi Nono NERFINISHED
countryOfOrigin Italy
dedicatedTo Massimo Cacciari NERFINISHED
dramaticFocus listening rather than visual action
feature chorus
dispersed performers
electronic sound processing
fragmented text
live electronics
non-linear dramaturgy
orchestra divided into groups
sound projection
spatialized sound
speaker
vocal soloists
genre avant-garde music
contemporary classical music
music theatre
influencedBy political and philosophical thought of the late 20th century
language Italian
librettist Massimo Cacciari NERFINISHED
notableFor radical redefinition of opera as an art of listening
notableRecording 1980s live recording conducted by Claudio Abbado
performancePractice site-specific acoustic design
use of sound projectionist
period late 20th century
premiereDate 1984
premiereLocation Venice NERFINISHED
premiereVenue Church of San Lorenzo, Venice NERFINISHED
stagingConcept “tragedy of listening”
structure prologue and several stations
textSource Aeschylus NERFINISHED
Benjamin NERFINISHED
Hölderlin NERFINISHED
Rilke NERFINISHED
textTreatment fragmented
superimposed

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Luigi Nono notableWork Prometeo. Tragedia dell’ascolto