The Dead City

E1008821

The Dead City is an English title for "Die tote Stadt," an early 20th-century opera by Erich Wolfgang Korngold that explores grief, memory, and obsession in a dreamlike, symbolist setting.

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Statements (47)

Predicate Object
instanceOf opera
acts 3
basedOn Bruges-la-Morte NERFINISHED
basedOnAuthor Georges Rodenbach NERFINISHED
catalogNumber Op. 12
characterType soprano role for Marietta
tenor role for Paul
composer Erich Wolfgang Korngold NERFINISHED
countryOfOrigin Austria
dramaticDevice double of the dead wife in Marietta
dream-reality ambiguity
firstEnglishTitleUsage The Dead City GENERATED
genre psychological opera
symbolist opera
historicalContext post-World War I Europe
influence 20th-century operatic repertoire
language German
librettist Paul Schott NERFINISHED
librettistPseudonymOf Julius Korngold NERFINISHED
mainCharacter Marie NERFINISHED
Marietta NERFINISHED
Paul NERFINISHED
notableAria Glück, das mir verblieb NERFINISHED
notableRecording Erich Leinsdorf studio recording
Ingo Metzmacher live recording
orchestration large orchestra
originalTitle Die tote Stadt NERFINISHED
period early 20th century
premiereDate 1920-12-04
premierePlace Kölner Oper NERFINISHED
Staatsoper Hamburg NERFINISHED
publisher Universal Edition NERFINISHED
revival late 20th century stage revivals
setting Bruges NERFINISHED
a dreamlike version of a Flemish city
structure through-composed
style late-Romantic
post-Wagnerian
subjectMatter hallucinatory dream
psychological breakdown
symbolism relics of the dead as objects of obsession
the city as a metaphor for inner death
theme grief
memory
mourning a dead spouse
obsession
timeOfComposition 1916–1919

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Die tote Stadt alternativeTitle The Dead City