South German organ school
E1003682
The South German organ school was a Baroque-era tradition of organ composition and performance centered in southern Germany and Austria, characterized by its blend of Italian and French influences, expressive melodic style, and liturgical focus.
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque-era musical style
ⓘ
musical tradition ⓘ organ school ⓘ |
| characteristicForm |
chorale prelude
ⓘ
fugue ⓘ prelude ⓘ toccata ⓘ |
| country |
Austria
ⓘ
Germany NERFINISHED ⓘ |
| focus |
Catholic liturgy
ⓘ
chorale settings ⓘ organ mass movements ⓘ |
| genre | Baroque music ⓘ |
| hasNotableCenter |
Munich
NERFINISHED
ⓘ
Nuremberg NERFINISHED ⓘ Salzburg NERFINISHED ⓘ Vienna NERFINISHED ⓘ |
| hasNotableRepresentative |
Franz Xaver Murschhauser
NERFINISHED
ⓘ
Georg Muffat NERFINISHED ⓘ Gottlieb Muffat NERFINISHED ⓘ Johann Ernst Eberlin NERFINISHED ⓘ Johann Jakob Froberger NERFINISHED ⓘ Johann Kaspar Kerll NERFINISHED ⓘ Johann Pachelbel NERFINISHED ⓘ Johann Speth NERFINISHED ⓘ |
| historicalPeriod | Baroque era NERFINISHED ⓘ |
| influenced |
Central European liturgical organ music
ⓘ
later Austrian organ tradition ⓘ |
| influencedBy |
French organ music
ⓘ
Italian organ music ⓘ |
| instrument | pipe organ ⓘ |
| mainRegion |
Austria
NERFINISHED
ⓘ
southern Germany NERFINISHED ⓘ |
| relatedTo |
Central German organ school
NERFINISHED
ⓘ
North German organ school NERFINISHED ⓘ |
| stylisticFeature |
contrapuntal writing
ⓘ
expressive melodic style ⓘ integration of improvisatory elements ⓘ liturgical focus ⓘ ornamented melodic lines ⓘ use of chorale-based compositions ⓘ use of fugues ⓘ use of liturgical organ versets ⓘ use of toccatas and preludes ⓘ |
| timePeriodEnd | 18th century ⓘ |
| timePeriodStart | 17th century ⓘ |
| use |
church liturgy
ⓘ
organ composition ⓘ organ performance ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.