audio recordings
C2803
concept
Audio recordings are captured and stored representations of sound, such as speech, music, or ambient noise, that can be played back or processed electronically.
All labels observed (30)
| Label | Occurrences |
|---|---|
| song recording | 159 |
| live recording | 54 |
| sound recording | 30 |
| jazz recording | 18 |
| cast recording | 17 |
| spoken word recording | 8 |
| demo recording | 7 |
| instrumental recording | 6 |
| audio program | 5 |
| acoustic recording | 3 |
| audio recording | 3 |
| audio dramatization | 2 |
| audiobook | 2 |
| collaborative recording | 2 |
| spoken-word recording | 2 |
| audio collection | 1 |
| audio documentary | 1 |
| audio recording series | 1 |
| audio recordings canonical | 1 |
| audio segment type | 1 |
| audio track | 1 |
| audio work | 1 |
| bootleg recordings | 1 |
| demo recording collection | 1 |
| field recording series | 1 |
| informal recordings | 1 |
| recordings collection | 1 |
| sound recording collection | 1 |
| sound recording medium | 1 |
| theatre-related audio recordings | 1 |
Description generation (CDg)
The one-sentence description above was generated by prompting gpt-5.1 with the class name and this instruction.
Instruction
generate a one-sentence description for a given conceptual class. # Response Format Return only the sentence: "Description: [one-sentence description of the conceptional class]"
Input
Class: audio recordings
Generated description
Audio recordings are captured and stored representations of sound, such as speech, music, or ambient noise, that can be played back or processed electronically.
Instances (306)
| Instance | Via concept surface |
|---|---|
| Sideshow (original Broadway cast recording) | cast recording |
|
Twilight
surface form:
Twilight (Ed Calle album)
|
jazz recording |
|
That’s How Strong My Love Is
surface form:
That's How Strong My Love Is (Otis Redding version)
|
song recording |
| Epic EK 93825 | sound recording |
| Gravity (live at the Fillmore) | live recording |
| We’re Getting a Divorce, You Keep the Diner (acoustic) | song recording |
|
I Fall to Pieces
surface form:
I Fall to Pieces (Aaron Neville version)
|
song recording |
|
Love Ballad
surface form:
Love Ballad (George Benson version)
|
song recording |
|
Broadway production of Hamilton
surface form:
Original Broadway Cast Recording of Hamilton
|
cast recording |
| Original Broadway Cast Recording of Hamilton | cast recording |
| Hamilton Mixtape version of Helpless | song recording |
| Daddy Lessons (Dixie Chicks live cover) | song recording |
| Heaven’s Falling (acoustic) | song recording |
| Stars (acoustic) | song recording |
| The One (acoustic) | song recording |
| Raven (acoustic) | acoustic recording |
| End of Everything (acoustic) | song recording |
| Us and Ours (reprise acoustic) | acoustic recording |
| Rockin' Chair (recording with Gene Krupa Orchestra) | jazz recording |
| Specialty 561 | sound recording |
| Whipping Post (At Fillmore East version) | live recording |
| In Memory of Elizabeth Reed (At Fillmore East version) | live recording |
|
I Can’t Stand the Rain
surface form:
Tina Turner version
|
song recording |
| Kerney Sermon (Skit) | spoken-word recording |
| Rose Room (improvised solos with Benny Goodman) | jazz recording |
| Beyoncé version of All I Could Do Was Cry | song recording |
|
Fool That I Am
surface form:
Fool That I Am (Etta James recording)
|
song recording |
|
You Better Go Now
surface form:
Billie Holiday recording of You Better Go Now
|
sound recording |
| Heather Dubrow's World | audio program |
|
Big Rock Candy Mountain
surface form:
Burl Ives recording of Big Rock Candy Mountain
|
sound recording |
|
Sleep, Baby, Sleep
surface form:
1927 Bristol Sessions recording of Sleep, Baby, Sleep
|
sound recording |
|
We Had It All
surface form:
Waylon Jennings 1973 recording
|
sound recording |
| I’m a Ramblin’ Man (live version) | live recording |
| Yazz Per Favore | jazz recording |
|
San Antonio Rose
surface form:
Patsy Cline recording of San Antonio Rose
|
sound recording |
|
He Called Me Baby
surface form:
He Called Me Baby (Patsy Cline recording)
|
song recording |
|
Ridin' the Storm Out
surface form:
Ridin' the Storm Out (live version)
|
live recording |
|
Little White Lies
surface form:
Dick Haymes recording of Little White Lies
|
sound recording |
| The Darktown Poker Club (recording) | spoken word recording |
|
Can I Sleep in Your Arms
surface form:
Can I Sleep in Your Arms (Jeannie Seely recording)
|
song recording |
|
Night Time Is the Right Time
surface form:
Ray Charles version of Night Time Is the Right Time
|
song recording |
|
You Don't Know Me
surface form:
Ray Charles version of You Don't Know Me
|
song recording |
|
song "Sweet Old World"
surface form:
Sweet Old World (Emmylou Harris recording)
|
song recording |
|
Invitation to the Blues
surface form:
Invitation to the Blues (Emmylou Harris and Rodney Crowell version)
|
song recording |
|
See Saw
surface form:
Aretha Franklin version
|
song recording |
| Hesitation (alternate take) | jazz recording |
| Father Time (alternate take) | jazz recording |
|
Shake
surface form:
Shake (Otis Redding version)
|
song recording |
| 4 Songs About Jane (early demos) | demo recording |
| Perfect Jazz Collection (recordings) | jazz recording |